1. You know why I like HBO’s Last Week Tonight with John Oliver? Because here’s a show that talks about everything a week late, and it makes absolutely no apologies about it. In this speed-obsessed world, oh my God, I have found a kindred spirit.
The show seems designed not to butt heads with Jon Stewart’s The Daily Show. Last Week Tonight is a weekly show; it deals more with international politics; there hasn’t been a celebrity guest promoting a new book. As an occasional Daily Show fan, this is great. I don’t need to divide my loyalties.
I love Oliver’s outsider view of American politics. It’s amusing that it takes a British comedian to tell an American audience what half the world already knows: “Hey, you guys, you aren’t the center of the universe. Really.” I enjoyed his insightful background on the Indian elections and his insinuations that Pom Wonderful Juice is made with Pomeranians. (The cheeky corporate response can be seen here.) In less than two months, the show has tackled everything from the death penalty to dictators with mommy issues.
Alas, his teeth are awful, his hair is sometimes unkempt, but oh, he does have nice dimples. Not convinced yet? As part of the show, John Oliver also posts silly things on Twitter, like this photo.
2. I really miss Space Brothers. Every time Saturday rolls around, I torture myself with the thought, “Will there be an episode tonight?” and the answer is always a resounding no. I can’t remember when an anime hiatus bummed me out so much, mainly because I’m not used to watching an ongoing series.
As a consolation prize, every week there’s a new Mushishi episode, and that’s great. The second season of Mushishi started broadcast in Japan last April. It’s amazing that there’s a seven-year gap between the first and second seasons. Can you imagine a live-action series with a seven-year hiatus? Me neither.
Mushishi focuses on a myriad of supernatural creatures called mushi. Mushi can mimic the abilities or needs of “normal” life forms but they are invisible to most sentient beings. Most mushi can cause major havoc when distressed or disturbed.
Ginko, a white-haired, chain-smoking itinerant medicine man, spends his time researching the various mushi. Ginko’s the only main character and he’s usually a passive observer, when large themes like love, betrayal, death, and disfigurement unfold along the Japanese countryside. The mushi often acts as catalyst to emotions already brewing in the hearts of normal men and women; Ginko’s just there to document the action.
Mushishi is sometimes tranquil, sometimes terrifying, but it’s always thought-provoking. Even the unsettling parts of Mushishi have a calm, dream-like quality to it. I can imagine lots of people being bored out of their skulls with Mushishi. But I like it.
3. As usual, I’m not going to comment on the latest Game of Thrones episode. I’m going to observe, however, that George R.R. Martin and HBO are now a rare Western example of the “Overtook the Manga” trope. This happens when a television show’s ongoing production is moving faster than the writing of the original material. A show facing this predicament has limited options: create filler arcs, go into alternate continuity, or stop production in order to be a faithful adaptation.
Game of Thrones is simply too popular to stop production. As a live-action series with a cast that ages in real time, this is simply unthinkable. By revealing the plot points (and possibly the ending) of his unfinished novels to the series writers, George R.R. Martin pulled off a Hiromu Arakawa. I’m relieved and excited Martin did this, so the show can keep to their schedule and wrap up ahead of his publication timetable.
(For those unfamiliar with Hiromu Arakawa, she’s the mangaka behind Fullmetal Alchemist. She knew that production on the anime series would go faster than the manga, because FMA was a monthly title. It was gutsy for her to reveal the entire plot of her unfinished series to an entire production crew. What if they “spoiled” it for her readers? What if they didn’t respect her thematic vision?
For FMA, Arakawa’s gamble paid off. The animators decided to create their own arch-enemy and the ending of the first adaptation has a starkly different conclusion than Arakawa’s manga. They killed off characters and created new ones yet somehow managed to keep the flavor of the franchise. I don’t know how many people still love the first anime adaptation but when it first came out, it was pretty damn good.)
Right now, no one can predict where or how A Game of Thrones is going to go. It already has padded out scenarios for some of the main characters. The next seasons will definitely blend book canon, filler, and perhaps some ludicrous leg-pulls. Now knowing Martin’s plot, will HBO pull off a good pragmatic adaptation? Will it just completely fuck everything up? After the show is done, will Martin just turn around and say, “damn it, that’s not what I told them”?
Has anyone else realized that if George R.R. Martin dies now, in situ, the HBO ending might be the only closure millions of readers will ever get?
I repeat: I’m both relieved and excited. I’m also terrified.